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One of the most original and influential thinkers of the 20th century was Jean Gebser, whose varied writings on the philosophy of culture gave birth to postmodernist thought. In spite of his prominence internationally, much of his work has not been translated into English. This book is a collection of essays on Gebser in English. The contributors, who are experts in architecture, philosophy, modern languages, fine arts, communications studies and other diverse fields, offer an examination of the pervasive and wide ranging impact of Gebser on all aspects of modern culture. The opening chapters of this multidisciplinary study provide a solid theoretical foundation by analysing the essence of Gebser’s mode of inquiry and by noting the distinguishing features of his theory of culture. The chapters that follow assess his influence on the physical sciences, popular culture, fine art, politics and other aspects of civilisation. The volume aims to demonstrate that Gebser is among the first postmodernist theorists, and it shows that he predicted the emergence and shortcomings of postmodernism long before McLuhan, Derrida, Foucault and others. This text should be of great interest to anyone concerned with the phenomenology of culture and the birth of postmodernist thought.
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One of the most original and influential thinkers of the 20th century was Jean Gebser, whose varied writings on the philosophy of culture gave birth to postmodernist thought. In spite of his prominence internationally, much of his work has not been translated into English. This book is a collection of essays on Gebser in English. The contributors, who are experts in architecture, philosophy, modern languages, fine arts, communications studies and other diverse fields, offer an examination of the pervasive and wide ranging impact of Gebser on all aspects of modern culture. The opening chapters of this multidisciplinary study provide a solid theoretical foundation by analysing the essence of Gebser’s mode of inquiry and by noting the distinguishing features of his theory of culture. The chapters that follow assess his influence on the physical sciences, popular culture, fine art, politics and other aspects of civilisation. The volume aims to demonstrate that Gebser is among the first postmodernist theorists, and it shows that he predicted the emergence and shortcomings of postmodernism long before McLuhan, Derrida, Foucault and others. This text should be of great interest to anyone concerned with the phenomenology of culture and the birth of postmodernist thought.