From Belasco to Brook: Representative Directors of the English-Speaking Stage
Samuel Leiter
From Belasco to Brook: Representative Directors of the English-Speaking Stage
Samuel Leiter
This multifaceted study, the companion volume to Leiter’s From Stanislavsky to Barrault - Representative Directors of the European Stage , provides accounts of the careers and accomplishments of eight directors of the English-speaking stage as well as separate bibliographies and chronologies of each. Samuel L.Leiter selected directors David Belasco, Harley Granville-Barker, George Abbott, Sir Tyrone Guthrie, Margaret Webster, Elia Kazan, Joan Littlewood and Peter Brook as exemplars of the broad spectrum of directorial art as it has developed in the 20th century; his introduction identifies aspects of that art and reveals the divergence of directorial styles and techniques employed by the group. From commercial to classic to avant-garde, their stylistic attitudes toward production include Belasco’s minutely detailed naturalism, Gutherie’s whimsical interpretations of the classics, and Littlewood’s improvisational, anti-establishment, left-wing stance. Their varied rehearsal methods show how these directorial greats transformed the nature of the theatre experience through their personal vision of what stage production could encompass. Innovations by these directors in both the shape and function of the performance space are highlighted as are their theatre writings, many of which form the foundation for Western theatrical thought in our times. Following the introduction, each of the eight chapters is organized into subsections that discuss the individual director’s career, concept of theatre art and directing and actual working methods. Each director is assessed in terms of repertory, major productions, theoretical concerns, casting methods, rehearsal processes, and techniques of working with actors, playwrights, designers, and composers. Separate chronologies and a select bibliography complete the work, which is aimed at a diverse group of readers, from stage directing students and their teachers to active professionals in the field and those general readers seeking a broader understanding of 20th-century theatre and stage direction.
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