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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Twentieth-century Swift scholars have tended to assess Jonathan Swift as a pillar of the 18th century republic of letter , a conservative, even reactionary, voice upholding classical values against the welling tide of popularization in literature. Anne Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self mythologized figure. This provocative book takes a look at print culture, the commodification of the author and the history of popular culture.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Twentieth-century Swift scholars have tended to assess Jonathan Swift as a pillar of the 18th century republic of letter , a conservative, even reactionary, voice upholding classical values against the welling tide of popularization in literature. Anne Kelly looks at Swift instead as a practical exponent of the popular and impressario of the literary image. She argues that Swift turned his back on the elite to write for a popular audience, and that he annexed scandals to his fictionalized print alter ego, creating a continual demand for works by or about this self mythologized figure. This provocative book takes a look at print culture, the commodification of the author and the history of popular culture.