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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In this evocative exploration, Cheryl Walker shows that there is a distinct tradition of women’s poetry in America-one that the poets themselves have not always been fully aware of-and that individual poems can be read as manifestations of that tradition. Philomela, the nightingale of literary mythology, serves as a model for women poets, representing simultaneously both their particular forms of power and the frustrating powerlessness imposed on them by the cultural norms for women. The author identifies a number of archetypal motifs: the power fantasy, the sanctuary poem, the renunciation poem, the forbidden lover poem, the burden of beauty, and the secret sorrow. Among the poets discussed are Anne Bradstreet, Phillis Wheatley, Lydia Sigourney, Frances Osgood, Julia Ward Howe, Margaret Fuller, Ella Wheeler Wilcox, and Louise Guiney.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
In this evocative exploration, Cheryl Walker shows that there is a distinct tradition of women’s poetry in America-one that the poets themselves have not always been fully aware of-and that individual poems can be read as manifestations of that tradition. Philomela, the nightingale of literary mythology, serves as a model for women poets, representing simultaneously both their particular forms of power and the frustrating powerlessness imposed on them by the cultural norms for women. The author identifies a number of archetypal motifs: the power fantasy, the sanctuary poem, the renunciation poem, the forbidden lover poem, the burden of beauty, and the secret sorrow. Among the poets discussed are Anne Bradstreet, Phillis Wheatley, Lydia Sigourney, Frances Osgood, Julia Ward Howe, Margaret Fuller, Ella Wheeler Wilcox, and Louise Guiney.