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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The figure of the violent man in the African American imagination has a long history. He can be found in 19th-century bad man ballads like Stagolee and John Hardy , as well as in the black convict recitations that influence gangsta rap. This book connects this figure with similar characters in African American fiction. Many writers - McKay and Hurston in the Harlem Renaissance; Wright, Baldwin and Ellison in the 1940s and 1950s; Himes in the 1950s and 1960s saw the bad nigger as an archetypal figure in the black imagination and psyche. Blaxploitation novels in the 1970s made him a virtually mythical character. More recently, Mosley, Wideman and Morrison have presented him as ghetto philosopher and cultural adventurer. Behind the folklore and fiction, many theories have been proposed to explain the source of the bad man’s intra-racial violence. Jerry H. Bryant explores all of these elements in a wide-ranging look at one of the most misunderstood figures in African American culture.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
The figure of the violent man in the African American imagination has a long history. He can be found in 19th-century bad man ballads like Stagolee and John Hardy , as well as in the black convict recitations that influence gangsta rap. This book connects this figure with similar characters in African American fiction. Many writers - McKay and Hurston in the Harlem Renaissance; Wright, Baldwin and Ellison in the 1940s and 1950s; Himes in the 1950s and 1960s saw the bad nigger as an archetypal figure in the black imagination and psyche. Blaxploitation novels in the 1970s made him a virtually mythical character. More recently, Mosley, Wideman and Morrison have presented him as ghetto philosopher and cultural adventurer. Behind the folklore and fiction, many theories have been proposed to explain the source of the bad man’s intra-racial violence. Jerry H. Bryant explores all of these elements in a wide-ranging look at one of the most misunderstood figures in African American culture.