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Hitchcock Annual: Volume 18 features essays on Hitchcock and Italian art cinema; the cinematic and cultural context of Hitchcock’s silent film, Champagne (1928); Marnie (1964) and queer theory; the use of newspapers in Hitchcock’s films; and Hitchcock’s wartime documentary work.
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Hitchcock Annual: Volume 18 features essays on Hitchcock and Italian art cinema; the cinematic and cultural context of Hitchcock’s silent film, Champagne (1928); Marnie (1964) and queer theory; the use of newspapers in Hitchcock’s films; and Hitchcock’s wartime documentary work.