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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book adds to this growing body of scholarship on the Italian Resistance by analysing, for the first time, how the ‘three wars’ are represented over the broad spectrum of Resistance culture from 1945 to the present day. Furthermore, it makes this contribution to scholarship by bridging the gap between historical and cultural analysis. Whereas historians frequently use literary texts in their writings, they are often flawed by an insufficiently nuanced understanding of what a literary text is. Likewise, literary critics who have discussed writers such as Calvino and Vittorini, or films such Paisa and La notte di San Lorenzo, only refer in passing to the historical context in which these works were produced. By fusing historical and cultural analysis, author Philip Cooke makes a unique contribution to our understanding of a key period of Italian history and culture.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
This book adds to this growing body of scholarship on the Italian Resistance by analysing, for the first time, how the ‘three wars’ are represented over the broad spectrum of Resistance culture from 1945 to the present day. Furthermore, it makes this contribution to scholarship by bridging the gap between historical and cultural analysis. Whereas historians frequently use literary texts in their writings, they are often flawed by an insufficiently nuanced understanding of what a literary text is. Likewise, literary critics who have discussed writers such as Calvino and Vittorini, or films such Paisa and La notte di San Lorenzo, only refer in passing to the historical context in which these works were produced. By fusing historical and cultural analysis, author Philip Cooke makes a unique contribution to our understanding of a key period of Italian history and culture.