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Readers [will] be hard-pressed to deny North’s revisionary insight: black dialect as performance is an unrecognized bridge between modernism and the Harlem Renaissance. –American Literature. The most significant rereading of traditional American modernists in years. –South Atlantic Review.
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Readers [will] be hard-pressed to deny North’s revisionary insight: black dialect as performance is an unrecognized bridge between modernism and the Harlem Renaissance. –American Literature. The most significant rereading of traditional American modernists in years. –South Atlantic Review.