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A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of ‘Wolf Hall’ and ‘Bring Up the Bodies’.
Hilary Mantel is one of Britain’s most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in ‘Comma’; nurses clash in ‘Harley Street’ over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit.
Displaying all of Mantel’s unmistakable style and wit, they reveal a great writer at the peak of her powers.
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A brilliant - and rather transgressive - collection of short stories from the double Man Booker Prize-winning author of ‘Wolf Hall’ and ‘Bring Up the Bodies’.
Hilary Mantel is one of Britain’s most accomplished and acclaimed writers. In these ten bracingly subversive tales, all her gifts of characterisation and observation are fully engaged, summoning forth the horrors so often concealed behind everyday facades. Childhood cruelty is played out behind the bushes in ‘Comma’; nurses clash in ‘Harley Street’ over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game. Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road in Greece, these stories share an insight into the darkest recesses of the spirit.
Displaying all of Mantel’s unmistakable style and wit, they reveal a great writer at the peak of her powers.
Unlike Hilary Mantel’s historical fiction, such as Wolf Hall and Bring up the Bodies, this unsettling collection of brilliantly oblique short stories is situated firmly in a modern England, observed through the eyes of Britain’s peripheral people. From closeted nurses to sickly, paranoid expats, all of Mantel’s characters are self involved, morally ambiguous and almost entirely powerless. Though just below the surface lies a secret, a deeper, darker something that makes each of them very intriguing.
Mantel has spoken extensively about her ongoing battle with ill health, and it is a theme that runs throughout this collection, from the semi-autobiographical ‘Sorry to Disturb’; to the unwell protagonist in ‘Comma’; to the young girl, starving and delusional, in ‘The Heart Fails without Warning’. In the title story, ‘The Assassination of Margaret Thatcher’, Mantel paints a plausible reimagining of Thatcher’s death. According to Mantel, this was inspired by a hallucination she had while on morphine during a hospital stay. ‘History could always be otherwise,’ laments the narrator. ‘It is the invalid child’s consolation, the prisoner’s last hope.’ More than one of these transgressive tales left a ghostly, bitter aftertaste, but the overall effect is gripping and Mantel’s prose is masterfully compulsive. However, be warned. While these bite-sized stories may fit efficiently into your commute, they pack a punch that will leave you squirming for hours afterwards.