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There's no denying that In the Beginning There Was Rhythm is a great gateway into this expansive, fruitful, trailblazing era. All Music First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.
This album comes as a limited-edition one-off pressing double coloured vinyl (red and blue) complete with two bespoke inner bags containing extensive sleevenotes and original photography.
As Muzik magazine noted on its initial release In The Beginning There Was Rhythm is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst. The bands featured come (mostly) from the then bleak post-industrial North of England Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time. The title of the album comes from The Slits track of the same name. This album is produced with all the original photos and full extensive sleevenotes.
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There's no denying that In the Beginning There Was Rhythm is a great gateway into this expansive, fruitful, trailblazing era. All Music First released in 2001, this album is fully remastered, remade and presented once more in its entirety and features A Certain Ratio, Cabaret Voltaire, Throbbing Gristle, The Human League, The Pop Group, Gang of Four, The Slits, 23 Skidoo and This Heat.
This album comes as a limited-edition one-off pressing double coloured vinyl (red and blue) complete with two bespoke inner bags containing extensive sleevenotes and original photography.
As Muzik magazine noted on its initial release In The Beginning There Was Rhythm is a choice selection from the fertile post-punk period when bands thought nothing of combining politics and philosophy with imported dance rhythms and edgy industrial angst. The bands featured come (mostly) from the then bleak post-industrial North of England Manchester, Sheffield, Leeds as well as Bristol and London, and yet all show a fascination with black American rhythms and an experimentation in sound that was completely unique at the time. The title of the album comes from The Slits track of the same name. This album is produced with all the original photos and full extensive sleevenotes.