Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opera from the tragedie lyrique of Lully, Rameau…

Daniel-Francois-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera composers of the 19th century. Although musically…

Daniel-Francois-Esprit Auber (1782-1871), the most amiable French composer of the 19th century, came to his abilities late in life. After a stalled commercial career, he studied with Cherubini. His first…

Daniel-Francois-Esprit Auber (1782-1871) was long considered one of the most typically French as well as one of the most successful of the opera composers of the 19th century. Although musically…

This volume considers aspects of the Book of Genesis; as the first book of the Torah, and hence of the Bible, its position is unique, especially in its provision of…

Daniel-Francois-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the…

Daniel-Francois-Esprit Auber (1782-1871), the most amiable French composer of the nineteenth century, came to his abilities late in life. After a stalled commercial career, he studied with Cherubini. His first…

Volume 1 covers the Early Years, Italy, and the Parisian Triumphs (1827-39). A register of names, maps, illustrations, musical examples, and annotations complete the critical apparatus.