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      Cover image for Michel Corrette (1741) - Jean Louis Duport (1806)
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      Michel Corrette (1741) - Jean Louis Duport (1806)

      Florian Giesa

      The historical cello schools of Michel Corrette and Jean Louis Duport have made a great impression on me in the course of my studies of modern and baroque cello playing.Important…

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      Michel Corrette (1741) - Jean Louis Duport (1806)

      Florian Giesa

      Les ecoles historiques de violoncelle de Michel Corrette et de Jean Louis Duport m'ont fait une grande impression au cours de mes etudes de violoncelle moderne et baroque. Pour comprendre…

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      Michel Corrette (1741) - Jean Louis Duport (1806)

      Florian Giesa

      Le scuole storiche di violoncello di Michel Corrette e Jean Louis Duport mi hanno fatto una grande impressione nel corso dei miei studi sul violoncello moderno e barocco. Importante per…

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      Michel Corrette (1741) - Jean Louis Duport (1806)

      Florian Giesa

      Historyczne szkoly wiolonczelowe Michela Corrette'a i Jeana Louisa Duporta wywarly na mnie duze wrazenie w trakcie moich studiow nad wiolonczela wspolczesna i barokowa. Wazne dla zrozumienia wybranych szkol wiolonczelowych jest…

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      Michel Corrette (1741) - Jean Louis Duport (1806)

      Florian Giesa

      As escolas historicas de violoncelo de Michel Corrette e Jean Louis Duport causaram uma grande impressao em mim no decorrer dos meus estudos de violoncelo moderno e barroco. Alem de…

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      A new way of making four parts

      Florian Giesa

      The aim of this work is to describe the precursors of the string quartet up to the time of Haydn and, drawing on a wide range of historical sources, to…

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      Une nouvelle facon de faire quatre parties

      Florian Giesa

      L'objectif de cet ouvrage est de decrire les precurseurs du quatuor a cordes jusqu'a l'epoque de Haydn et, en s'appuyant sur un large eventail de sources historiques, de montrer combien…

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      Cover image for Nowy sposob tworzenia czterech części
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      Nowy sposob tworzenia czterech części

      Florian Giesa

      Celem tej pracy jest opisanie prekursorow kwartetu smyczkowego az do czasow Haydna i pokazanie, w oparciu o szeroki wachlarz zrodel historycznych, jak roznorodny i odmienny byl to rozwoj w roznych…

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      Cover image for Un nuovo modo di fare quattro parti
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      Un nuovo modo di fare quattro parti

      Florian Giesa

      Lo scopo di questo lavoro e quello di descrivere i precursori del quartetto d'archi fino all'epoca di Haydn e, attingendo ad un'ampia gamma di fonti storiche, di mostrare quanto vario…

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      Cover image for Uma nova forma de fazer quatro partes
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      Uma nova forma de fazer quatro partes

      Florian Giesa

      O objectivo deste trabalho e descrever os precursores do quarteto de cordas ate a epoca de Haydn e, recorrendo a uma vasta gama de fontes historicas, mostrar como o desenvolvimento…

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      Michel Corrette (1741) - Jean Louis Duport (1806)

      Florian Giesa

      Die historischen Celloschulen von Michel Corrette und Jean Louis Duport haben im Rahmen meiner Studien des modernen und barocken Violoncellospiels grossen Eindruck auf mich gemacht. Wichtig fu r das Versta…

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      Ein neuer Weg, vier Stimmen zu gestalten

      Florian Giesa

      Die vorliegende Arbeit hat sich zum Ziel gesetzt, die Vorlaufer des Streichquartetts bis zur Zeit Haydns zu beschreiben und unter Einbeziehung verschiedenster historischer Quellen darzulegen, wie vielfaltig und unterschiedlich die…

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