Anna Funder’s new masterpiece, Wifedom, is the story of the invisible life of George Orwell’s wife, Eileen O’Shaughnessy. It is a brilliant work of counter-fiction that uses letters written by O’Shaughnessy during her marriage to Orwell, the many biographies written about Orwell, the only biography of O’Shaughnessy, and Orwell’s essays to piece together their marriage and her life. What we get is the story of a woman who has been all but erased from the story of Orwell’s success, despite her invaluable presence and contribution to his life and his writing.

If you weren’t aware of how involved she was in his success, you’re not alone. She has ‘often [been] obscured or rewritten to remove her key and vital involvement’ thus ‘allowing Orwell to become the writer that he is revered to be’. Wifedom brings O’Shaughnessy into the spotlight and reclaims her life as an individual who deserves to have her intellect and sacrifices recognised. Orwell would not have been able to be the writer that he was had it not been for O’Shaughnessy, and it is so important that this story is brought into the open.

Interspersed throughout Wifedom are reflections from Funder, inviting us into her own world and the challenges she has faced in maintaining her own identity as a writer while being a wife and a mother. Funder had initially intended to use Orwell’s writing to help her become ‘visible to [herself]’ again. However, it soon became apparent that his opinion of and approach towards women was that ‘he [saw] women – in terms of what they do for him’. This caused Funder to re-evaluate and ultimately change her approach, instead focusing on the life of his wife. And what a story it is.

As a fan of Funder’s previous books, Wifedom did not disappoint. I have no doubt that I will be recommending and re-reading this book in the years to come.