Miranda Popkey’s debut novel is a narrative told in ten conversations that occur between 2000 and 2017. The unnamed female narrator converses with her employer, her mother, a group of friends left at a house party, a man she has a one-night stand with, and her mothers’ group, among others. She has a theory about why she is privy to so many truths and confidences: ‘I think it is because I like, liked, to drink and I am very good at keeping my face quiet.’

The narrator takes part in the conversations, and they stay with her, helping her to examine how she wants to live, even as she seems to drift in her life and not make any active choices. The first conversation occurs on the Italian coast when she is working as a nanny. Her employer joins her on the balcony and opens up about her marriage. She describes the power imbalances that have characterised the union; what she has done, and, what she would be prepared to do, to redress these. From this chapter it is clear that Popkey will not be toeing any ‘politically correct’ line and will be exploring concepts such as power and sexuality in a brutal manner.

While the narrator’s life stage is updated in each chapter, the book favours ideas, and plot is limited to what is relevant to the ‘conversation’. In a chapter situated in an art installation, the narrator and her friend question who has the ability to make art, and how the meaning changes as creator/object change. Again, gender and power are featured, tying into the narrator’s friend’s recent breakup.

Topics of Conversation has been compared to Sally Rooney’s novels, though Rooney’s work is plot-driven to a greater extent. Overall, this novel is a meaty one for conversations among readers – while the narrator’s likeability will polarise readers, the ideas will propel conversation well into the night.

Annie Condon works as a bookseller at Readings Hawthorn.