Salt and Skin is a siren’s song, a nightingale’s lullaby; haunting and beguiling, it sinks you into the depths of the dark Scottish islands mythologised by tales of witches and selkies, of sorcery and singing whales. But what is fairytale and what is reality? This is the question facing the Managan family.

Photographer Luda Managan takes her two children, Darcy and Min, to the magical Scottish islands to document the effects of climate change. However, she is soon condemned and rebuked by the community when she publishes images of the death of a local child. As she is ostracised, Luda begins her investigation into the history of the 17th-century witchhunts and the personal lives of the women who were executed, and who have long had their voices silenced and ignored.

Running alongside this is the mystery of the boy, Theo, who, when he was younger, washed up on the shores of the island with no memory of where he had come from or who he belonged to. To the community he is a wild foundling, a fae changeling, a selkie who’s lost his seal skin and must stay on land as a human. All his life he has been treated as the local folktale, and not the confused young boy who longsfor the sea to answer his questions. When Darcy and Min befriend him, together they unleash the ghosts of the past, laying bare the mystery of the isles, and the secret lives the community masks.

Beneath the dark allure of this Celtic setting, Salt and Skin is ultimately a tender story about family – both the ones that we are born into and the ones we make for ourselves – and how, through trial and adversity, family will always anchor each other down amid the tumultuous seas that threaten to tear them apart.