2022 is going to be another incredible year for Australian poetry, with debuts, new books from established poets and out-of-print titles being reissued. I was thrilled to begin theyear with Adam Aitken’s latest work. Aitken is a stellar poet, having received the Patrick White Award in 2021, and has previously been longlisted for the ALS Gold Medal, and shortlisted for the Kenneth Slessor Prize for Poetry and the Prime Minister’s Literary Awards. He is also co-editor of the Contemporary Asian Australian Poets anthology.

The Revenants is a journey. ‘Something or someone is trying / to mail me empathy right now, and tomorrow / is the grand un- boxing’ is the opening line of ‘Illuminated’, and I feel this is an apt description for the collection as a whole. Aitken preserves a strong sense of place, moving fluidly between Singapore, Malaysia, Thailand, Laos, Cambodia, Hawai’i and France throughout. There is a slow reveal of each part of Aitken’s life and family history. His father, from Melbourne, travelled and worked in Asia, and married the poet’s mother in Bangkok – poems throughout remember them both, observing moments through his father’s eyes.

Many poems explore the poet’s relationship to place – finding memories and trying to locate a nostalgia that is always slightly in the distance. While the first two sections are beautifully mixed through with family history and the legacy of colonisation, I was also impressed with the final section, which explores Aitken’s love for France. These poems are calm, yet also haunted with tension: ‘Would I die for France like this? / I doubt I’d be invited’. It is unsentimental, and the collection ends with a feeling that the poet is just passing through, observing and making sense of the world around him.

This is a short book, and it sits well as late summer reading. Fans of Eileen Chong and Boey Kim Cheng will enjoy this thoughtful and tactile collection.

Clare Millar is from Readings online.