Beware the lawyer poet who takes your land and beautifies his theft with literature. In 1817, Barron Field arrived to take the position of Judge of the Supreme Court of Civil Judicature in the colony of New South Wales, the highest colonial legal authority in the land. He took Governor Macquarie to task for overstepping his powers in overzealously issuing taxes. Field was also a framer of the legal fiction of terra nullius and so, as this book tells us, ‘the first to sketch out a coherent structure of governance premised counterfactually on the non-existence of Aboriginal peoples.’

But as well as being an author of the legal fiction of terra nullius, Field was also the author of the first book of Australian poetry to be published in the country, in 1819. First Fruits of Australian Poetry is, to judge from the quoted poems, fairly fruity stuff. Thomas H Ford and Justin Clemens’ mission in this book is to compare and contrast Field’s two modes of writing, legislative and poetic, and to show us what one mode makes stark about the other. They identify Field’s arrival as marking a change in the culture of colonial Australia from an authoritarian penal colony to a more liberal society, and connect this change to the culture of the writers, the Regency Romantics, who constituted Field’s literary community back in England. But before Field could inaugurate civil society and a liberal culture in Australia, he considered it vital to legally and poetically wipe the slate clean of notions of First Nations ownership, stewardship and authority.

This book, then, is a poetic reading of Field’s laws and a legal reading of his poems which takes seriously the power of writing within Australia’s colonisation.