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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Striving for Beauty takes place during the Christensen Brothers era of the San Francisco Ballet. The Prologue ends with Willam presenting the first full-length Nutcracker in America in 1944. Sally Bailey, one of the Company’s future ballerinas, enters Harold’s School here, and through her eyes we see the growth of the Company and herself, including; Willam’s departure, Lew’s ascendance, Balanchine’s influence, the State Department tours, trying to get recognition at home, and touring across the U.S. She also gives her perspective on issues-both personal and artistic-that dancers face. A short Epilogue carries San Francisco Ballet history forward to today.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Striving for Beauty takes place during the Christensen Brothers era of the San Francisco Ballet. The Prologue ends with Willam presenting the first full-length Nutcracker in America in 1944. Sally Bailey, one of the Company’s future ballerinas, enters Harold’s School here, and through her eyes we see the growth of the Company and herself, including; Willam’s departure, Lew’s ascendance, Balanchine’s influence, the State Department tours, trying to get recognition at home, and touring across the U.S. She also gives her perspective on issues-both personal and artistic-that dancers face. A short Epilogue carries San Francisco Ballet history forward to today.