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Get in Trouble: Stories
Paperback

Get in Trouble: Stories

$29.99
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A new, much anticipated collection of stories from the inimitable Kelly Link.

‘These nine stories may begin in familiar territory-a birthday party, a theme park, a bar, a spaceship-but they quickly draw readers into an imaginative, disturbingly ominous world of realistic fantasy and unreal reality. Like Kafka hosting Saturday Night Live, Link mixes humour with existential dread…Her characters, driven by yearning and obsession, not only get in trouble but seek trouble out-to spectacular effect.’ Publishers Weekly

‘Darkly funny, sexy, frightening, and truly weird-Link can dismantle and remake the world in a paragraph.’ Karen Russell

‘The most darkly playful voice in American fiction.’ Michael Chabon

‘She is unique and should be declared a national treasure.’ Neil Gaiman

‘Richly imagined, intellectually teasing: these are not so much small fictions as windows on to entire worlds. A brilliant, giddying read.’ Sarah Waters

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MORE INFO
Format
Paperback
Publisher
Text Publishing Co
Country
Australia
Date
28 January 2015
Pages
352
ISBN
9781922182630

A new, much anticipated collection of stories from the inimitable Kelly Link.

‘These nine stories may begin in familiar territory-a birthday party, a theme park, a bar, a spaceship-but they quickly draw readers into an imaginative, disturbingly ominous world of realistic fantasy and unreal reality. Like Kafka hosting Saturday Night Live, Link mixes humour with existential dread…Her characters, driven by yearning and obsession, not only get in trouble but seek trouble out-to spectacular effect.’ Publishers Weekly

‘Darkly funny, sexy, frightening, and truly weird-Link can dismantle and remake the world in a paragraph.’ Karen Russell

‘The most darkly playful voice in American fiction.’ Michael Chabon

‘She is unique and should be declared a national treasure.’ Neil Gaiman

‘Richly imagined, intellectually teasing: these are not so much small fictions as windows on to entire worlds. A brilliant, giddying read.’ Sarah Waters

Read More
Format
Paperback
Publisher
Text Publishing Co
Country
Australia
Date
28 January 2015
Pages
352
ISBN
9781922182630
 
Book Review

Get in Trouble: Stories
by Kelly Link

by Alan Vaarwerk, Jan 2015

Nobody writes short fiction like Kelly Link. Get In Trouble, her first collection for adults since 2005’s Magic For Beginners, showcases the author’s unique brand of magical realism, blending fantasy, sci-fi and American fiction, and is brimming with ideas astonishing in their simplicity – what if people had two shadows? What if superheroes were as common as dentists? What if we still built pyramids to bury rich kids?

In these nine stories, Link constructs worlds almost but not quite like our own – where passengers on a spaceship wake from cryogenic sleep and tell ghost stories, pocket universes full of retirees and Disney characters materialise in Tibet, teenage girls collect animatronic boyfriends, and actors who made their names playing teenage vampires hunt ghosts at anabandoned nudist colony. The beauty of Link’s writing is that these fantastical elements don’t crowd out the narrative – they slide seamlessly into a very real, very familiar America full of characters driven by very real, very familiar desires.

A standout piece is ‘The Lesson’, about a gay couple who leave the woman carrying their child for a friend’s wedding on a nearby island. In a collection where everything is so out of the ordinary that nothing is, the only piece to be set ostensibly in the ‘real’, non-supernatural world feels strangest of all – highlighting the absurdity and terror of being a modern adult.

Link’s stories are exquisitely crafted – both tight and expansive, playful and thoughtful – with themes and subtexts that duck and weave from view, like the ghosts that feature throughout the collection, tantalisingly present but never quite palpable. Stories end teetering on a precipice, a sublime intake of breath that makes anything and everything possible. Get In Trouble is thrilling, inventive storytelling at its very best.


Alan Vaarwerk

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