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After eight years working in Japan, immersing herself in its language and literature, Lesley Chan Downer set off in the footsteps of Matsuo Basho, Japan's most cherished poet, to explore the country's remote northern provinces.
Basho's pilgrimage to find the landscapes that had inspired the great medieval poets gave birth to Japan's most famous travel book, rich in strange imagery and sometimes comic encounters along the road.
In this intriguing cross-threading of journeys, perceptions and exquisite haiku, Lesley creates her own funny, loving and honest portrayal of contemporary Japan.
As she walks, she finds at one and the same time a drab post-industrial landscape of concrete and cable, but also a land still full of the old enchantments. Nights in thatched highland villages and sake-drenched poetry sessions encourage her to see for herself if any of the legendary hermit-priests still survive in the sacred mountains of the north.
'Downer has an instinctive insight into the way the Japanese think a rare commodity which she uses with a marvellous delicacy of touch.' Katie Hickman, The Literary Review
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After eight years working in Japan, immersing herself in its language and literature, Lesley Chan Downer set off in the footsteps of Matsuo Basho, Japan's most cherished poet, to explore the country's remote northern provinces.
Basho's pilgrimage to find the landscapes that had inspired the great medieval poets gave birth to Japan's most famous travel book, rich in strange imagery and sometimes comic encounters along the road.
In this intriguing cross-threading of journeys, perceptions and exquisite haiku, Lesley creates her own funny, loving and honest portrayal of contemporary Japan.
As she walks, she finds at one and the same time a drab post-industrial landscape of concrete and cable, but also a land still full of the old enchantments. Nights in thatched highland villages and sake-drenched poetry sessions encourage her to see for herself if any of the legendary hermit-priests still survive in the sacred mountains of the north.
'Downer has an instinctive insight into the way the Japanese think a rare commodity which she uses with a marvellous delicacy of touch.' Katie Hickman, The Literary Review