Kate Rockstrom

Kate Rockstrom regularly reviews classical music for Readings. She also performs as a flautist, as well as writing about music and books.

Review — 26 Sep 2012

Dvorak: Silent Woods

I don’t know whether or not you’ve heard Dvorak’s works for cello and piano before, but I think that this sonority is almost unmatched by anything else. The spiralling upwards…

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Review — 9 Jan 2013

Rachmaninov, Li-Wei Quinn

Chinese born, Australian raised cellist Li-Wei Quin is a very popular musician round these parts. Coupled with Albert Tiu they have recorded a sweet collection of works for cello and…

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Blog post — 10 Oct 2012

Listening to Sacred Classical Music

Kate Rockstrom talks about the pleasures of listening to sacred music, presenting a sample of some wonderful recordings.

Music written for the use in church services can be some of…

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Review — 19 Aug 2012

Pepe Romero, Spanish Nights

Not being very well versed in classical guitarists of the world I was completely blown away from the very first delicately plucked notes of this album. Pepe Romero, I soon…

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Review — 19 Aug 2012

Valentina Lisitsa, Live at the Royal Albert Hall

I have to say, I think this is the fastest version of the Rachmaninov Prelude in G Minor Op 23 No 5 I have ever heard. I’m sure it’s not…

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Blog post — 5 Sep 2012

Discover Classical Music Online

Kate Rockstrom looks at ways to learn more about classical music online - through talks and rare videos of performances.

With the emergence of YouTube as a way to access…

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Review — 3 Aug 2012

Verdi: Macbeth DVD

Macbeth can be one of the darkest operas found on stage. With the blood, witchcraft and more moody lighting than any film director could dream of it can sometimes be…

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Blog post — 12 Aug 2012

Classical Music Books

Our classical music specialist Kate Rockstrom talks us through books about music, and shares some of her favourites.

Try Whistling This

, I found myself thinking of the different categories…

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Review — 1 Aug 2012

Stradella: La Susanna

Oratorio is a genre of composition sometimes left by the wayside beside the larger spectacle of opera. Alessandro Stradella was composing during theheight of its popularity and La Susanna is…

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Review — 22 Jul 2012

Tchaikovsky: Orchestral Suites

I am a devoted and, to behonest, almost obsessive fanof Tchaikovsky’s ballets, soI was horrified when Irealised that I didn’t knowhis Orchestral Suites. Thisreissue from the Brilliant Classics label, fullof…

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