Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

Presents an original, insightful, and compelling vision of the trajectory of Cavell’s oeuvre, one that takes his kinship with Emerson as inextricably bound up with his ever-deepening thinking about movies.

A study of one of Stanley Cavell’s greatest yet most neglected books. The authors address the philosopher’s readers who have neither understood why he has given film so much attention…