Search results for ‘Dana E. Stewart’

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      Cover image for The Arrow of Love: Optics, Gender, and Subjectivity in Medieval Love Poetry
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      The Arrow of Love: Optics, Gender, and Subjectivity in Medieval Love Poetry

      Dana E. Stewart

      The Arrow of Love examines visual encounters in medieval lyrics, exploring the ways in which poets employed contemporary optical theory both to revitalize classic topoi, such as Cupid’s arrow, and…

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      Cover image for Songs Beyond Mankind: Poetry and the Lager from Dante to Primo Levi: Bernardo Lecture Series, No. 18
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      Songs Beyond Mankind: Poetry and the Lager from Dante to Primo Levi: Bernardo Lecture Series, No. 18

      Lino Pertile

      Examines the preservation of the integrity of humanity through literature in the hells described by Dante in his Inferno and by Primo Levi in Survival in Auschwitz.

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      Cover image for Sparks and Seeds
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      Sparks and Seeds

      Dana E. Stewart,Alison Cornish

      John Freccero is internationally renowned for his scholarship on Dante, Petrarch, Macchiavelli, and other authors. Currently Professor of Italian and Comparative Literature at New York University, he has also taught…

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      Cover image for From Divine to Human: Dante's Circle vs. Boccaccio's Parodic Centers: Bernardo Lecture Series, No. 16
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      From Divine to Human: Dante’s Circle vs. Boccaccio’s Parodic Centers: Bernardo Lecture Series, No. 16

      Dino S Cervigni

      Observes a parodic echo of the circles of Dante’s Divine Comedy , and asks whether Bocaccio envisions the voyage of the brigata as similar to Dante the Pilgrim’s journey toward…

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      Cover image for Favola fui : Petrarch Writes His Readers: Bernardo Lecture Series, No. 17
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      Favola fui : Petrarch Writes His Readers: Bernardo Lecture Series, No. 17

      Albert Russell Ascoli

      Examines the interplay between reading and writing in the works of Petrarch and Dante.

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      Cover image for Language as Sin and Salvation: A Lectura of Inferno 18: Bernardo Lecture Series, No. 19
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      Language as Sin and Salvation: A Lectura of Inferno 18: Bernardo Lecture Series, No. 19

      Zygmunt G. Baranski

      Describes several key roles of Canto 18 in the structure of the Commedia.

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