2019 has seen a welcome proliferation of recordings featuring music by women. Although for a long time musical women were actively discouraged from composing and audiences were less willing to open their ears and minds to their music, finally the world seems to be listening. Australia alone has produced swathes of first-rate female composers, however little of their music currently makes it into our national operatic, orchestral and chamber music programs. To coincide with International Women’s Day, ABC Classics has released a timely 2CD collection of music by our women, from Margaret Sutherland (1897–1984) to Kate Moore (b. 1979). It comes as no surprise that the women represented here were – and are – bold: Sutherland had to push back against a psychiatrist husband who believed that a woman who composed was mentally deranged, and, against odds, Peggy Glanville-Hicks was among the first women to receive recognition as an opera composer.

Some music on Women of Note – such as Glanville-Hicks’s Etruscan Concerto and Elena Kats-Chernin’s Russian Rag – will be familiar to listeners, and some, including Brenda Gifford’s Bardju and Olivia Bettina Davies’ Crystalline, will be less so. Regardless, all of it has merit, and the collection highlights the sheer inventiveness and, dare I say, genius of Australian female composers. The featured performers, ranging from the Melbourne Symphony Orchestra to the Benaud Trio, and to Sally Whitwell who accompanies flautist Sally Walker in a performance of Whitwell’s own ‘Road Trip’, are Australia’s finest, and sound possibly at their best in the music of their homeland. However, there is still work to be done: the majority of conductors leading the larger ensembles are men, which is no surprise considering that conducting is still a very male-dominated area of classical music. Despite this unfortunate shortfall, Women of Note is essential, urgent listening.

Alexandra Mathew is a classical music specialist at Readings Carlton.