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An exercise in admiration, this book takes a look at the petrifying work of Diamanda Galas, the singer with three octaves. Far from being dumbfounded by Galas and her voice, Catherine Mavrikakis takes the artist’s work head-on. From ancient Greece to the suburban United States, from the Armenian genocide to the AIDS epidemic of the 80s and 90s, Galas is constantly renewing herself.
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An exercise in admiration, this book takes a look at the petrifying work of Diamanda Galas, the singer with three octaves. Far from being dumbfounded by Galas and her voice, Catherine Mavrikakis takes the artist’s work head-on. From ancient Greece to the suburban United States, from the Armenian genocide to the AIDS epidemic of the 80s and 90s, Galas is constantly renewing herself.