Widely known for his award-winning design work, the Los Angeles-based architect Craig Hodgetts has distinguished himself as one of the key voices of his generation through trenchant commentary and visionary speculation on architecture and design. This volume gathers an array of theoretical polemics on buildings and cities, critical assessments of major projects and personalities, and other writings that showcase Hodgetts’ unique position as both a central figure in the discipline of architecture and a tireless advocate of technological opportunities developed at the fringes of the field. Contextualized with a critical introduction by historian Todd Gannon and illustrated with rare materials from Hodgetts’ archive, this collection cuts a revealing cross-section through a turbulent period during which architecture’s confidence in the Modernist project was shaken, its intellectual energies redirected, and its cultural agenda re-imagined in the face of environmental challenges, technological opportunities, lingering disciplinary traditions, and revolutionary new ideas. AUTHOR: Craig Hodgetts is known for employing an imaginative weave of high technology and storytelling to invigorate his designs, producing an architecture that embraces contemporary ideology, information culture, and evolving lifestyles. With a broad-ranging background in automotive design, theater, and architecture, Craig brings dramatic concepts to life by means of an uncompromising application of construction methodology. Craig is presently a professor at the UCLA Graduate School of Architecture and Urban Planning. SELLING POINTS: Several unpublished texts (on Gehry, Eames, Lautner, etc.) Significant graphic works presented for the first time in full colour, and never -before-published theatrical plays View into the thinking behind Hodgetts and Fung’s (HplusF) design work