In Panorama Dusan Sarotar takes the reader on a deeply reflective yet kaleidoscopic journey from northern to southern Europe. In a manner reminiscent of W.G. Sebald, Sarotar supplements the narrative with photographs, which help to blur the lines between fiction and journalism. The writers experience of landscape is bound up in a personal yet elusive search for self-discovery, as he and a diverse group of international fellow exiles relate in their individual and distinctive voices their unique stories and their common quest for somewhere they might call home.