The ten stories of Rhapsody, together with the three previously uncollected pieces added to this edition, are utterly distinctive in voice and sensibility. At least three of the Rhapsody stories - ‘A Country House’, ‘Days’, and the brilliant, allusive and enigmatic ‘A Garland of Earth’ - are small masterpieces. Not bad by the age of twenty-four. All of them are extremely controlled studies of constrained desire, loneliness and incomplete relationships for which Edwards was developing a non-realist world of imagery and symbolism and her own language. Music is one of the motifs. For Edwards, music represents art, but also the possibility of sexual passion which is otherwise largely unstated but is everywhere a powerful undercurrent.