Two poets, a playwright and a novelist - Michael Longley, Eavan Boland, Frank McGuiness and Anita Desai - explore in these essays aspects of the imaginative process as each has experienced it: four major writers, four sensibilities, four ways of seeing creativity and its contexts. MICHAEL LONGLEY writes with remarkable candour of his years - 1970 to 1991 - as arts administrator in Northern Ireland. Transforming anecdote into parable, this noted poet measures the cost of ‘trying to remain true to yourself facing the dark tower ’ while being part of an essential but often soul-destroying bureaucracy. EAVAN BOLAND, merging the personal and the theoretical, contends that the place of women as writers in Irish society have been shaped by a ‘ fusion of the national and the feminine’. FRANK MCGUINESS, the internationally acclaimed playwright, offers a radically innovative reading of Oscar Wilde’s De Profundis, while calling into being the material contexts of creativity - in this instance, a prison cell. The Indian novelist ANITA DESAI looks at her country’s colonial heritage and a shared background that gave rise to the work of Nobel Laureate Rabindranath Tagore and the film-maker Satyajit Ray. Her fascinating lecture shows how a vibrant indigenous culture, coming into fruitful contact with the West at the end of the nineteenth century, blossomed into artistic creation - yielding parallels with Ireland.