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Major survey chronicling superstar US artist Mickalene Thomas and her vibrant, rhinestone-adorned paintings, collages and photographs. Accompanies her international touring exhibition.
New York-based artist Mickalene Thomas' critically acclaimed and extensive body of work spans painting, collage, print, photography, video and immersive installations. With influences ranging from 19th-century painting to popular culture, Thomas' art articulates a complex and empowering vision of womanhood while expanding on and subverting common definitions of beauty, sexuality, celebrity and politics.
This major survey publication further affirms Thomas' status as a key figure of contemporary art. The book features an interview with the artist by Rachel Thomas, and is followed by essays from Beverly Guy-Sheftall, Darnell L. Moore, Claudia Rankine, Ed Schad, Renee Mussai and Christine Y. Kim, which cover her distinct visual vocabulary, drawing on themes of intergenerational female empowerment, autobiography, memory and tenets of Black feminist theory. In particular, they explore how Thomas subverts art history to reclaim the notions of repose, rest and leisure in works that celebrate self-expression and joy. For the artist, repose is a radical act, pointing to "what is able to happen once you have the agency."
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Major survey chronicling superstar US artist Mickalene Thomas and her vibrant, rhinestone-adorned paintings, collages and photographs. Accompanies her international touring exhibition.
New York-based artist Mickalene Thomas' critically acclaimed and extensive body of work spans painting, collage, print, photography, video and immersive installations. With influences ranging from 19th-century painting to popular culture, Thomas' art articulates a complex and empowering vision of womanhood while expanding on and subverting common definitions of beauty, sexuality, celebrity and politics.
This major survey publication further affirms Thomas' status as a key figure of contemporary art. The book features an interview with the artist by Rachel Thomas, and is followed by essays from Beverly Guy-Sheftall, Darnell L. Moore, Claudia Rankine, Ed Schad, Renee Mussai and Christine Y. Kim, which cover her distinct visual vocabulary, drawing on themes of intergenerational female empowerment, autobiography, memory and tenets of Black feminist theory. In particular, they explore how Thomas subverts art history to reclaim the notions of repose, rest and leisure in works that celebrate self-expression and joy. For the artist, repose is a radical act, pointing to "what is able to happen once you have the agency."