First comprehensive monograph of internationally renowned artist Jyll Bradley, featuring all aspects of her work from the 1980s to the present day, including early sketchbooks, lightboxes, photography, film, wall-based sculpture, drawings and large-scale public installations, each covered thematically by a range of diverse and exciting voices in contemporary art and literature. A pioneer of using early lightbox technology to create sculptural installations, Bradley's works are notable for their use of minimalist, industrial forms as spaces for exploring identity and place. Her ambitious public realm artworks, such as Green/Light (for M.R.) (Folkestone Triennial), Dutch/Light (Turner Contemporary) and The Hop (Hayward Gallery), reflect her innovative approach to sculpture as a potent gathering place of people and ideas. Published to coincide with Bradley's major survey show at The Box, Plymouth, in April 2025, this book will provide an important resource for those familiar with Bradley's work, while introducing her to new audiences in an accessible, engaging and imaginative way. AUTHORS: Debbie Meniru is a London-based writer and curator whose work has been published internationally, including by Hatje Cantz, Rizzoli, Tate, Hayward Gallery Publishing and CURA magazine. Darryl de Prez is a consultant on philanthropy and the arts, with over 30 years' experience in the art world. He is also a published writer and contemporary art collector. Jyll Bradley is an internationally acclaimed artist and writer. Born in Folkestone in 1966, Bradley studied at Goldsmiths, University of London and Slade School of Art. She has exhibited internationally, with major public installations including the Hayward Gallery, London (2022); The Fruitmarket Gallery, Edinburgh (2021); Sculpture in the City, London (2020); and the Folkestone Triennial, Kent (2014). Nicoletta Lambertucci is Curator, Modern and Contemporary British Art at Tate Britain. She was the inaugural Contemporary Art Curator at The Box, Plymouth, from 2017 to 2023, and curated the Serbian Pavilion for the Venice Biennale in 2019. Professor Andrew Renton is a writer and curator. He runs the Curating programme at Goldsmiths, University of London. Prior to Goldsmiths he was Slade Curator at Slade School of Art, and he has lectured internationally. Gemma Rolls-Bentley is a consultant, writer and curator. Her most recent publication is Queer Art: From Canvas to Club and the Spaces Between (2024). Fatos Ustek is a writer, curator and former director of the Liverpool Biennial and the Roberts Institute of Art. Her most recent publication is The Art Institution of Tomorrow: Reinventing the Model (2023). SELLING POINTS: . First monograph on this acclaimed artist . Contributions from key personnel in contemporary art and literature . New insights into the life and work of artist . Accompanies a major exhibition at The Box, Plymouth 150 colour, 50 b/w illustrations