The Art of Dying: A Ray Hanley Crime Thriller
Derik Cavignano
The Art of Dying: A Ray Hanley Crime Thriller
Derik Cavignano
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AN AWARD-WINNING CRIME THRILLER REMINISCENT OF THE SILENCE OF THE LAMBS AND THE DEPARTED
When the bizarre death of a mob foot soldier sparks an escalating war between Boston’s Irish and Italian mafia, Detective Ray Hanley’s relentless search for the truth uncovers evidence of a serial killer obsessed with the art of human suffering. As the body count rises, Detective Hanley must navigate a minefield of crime families, dirty politicians, and crooked cops, while matching wits with a deranged serial killer. But temptation, betrayal, and death threaten to derail the investigation… and justice doesn’t come without a price.
Winner of the National Indie Excellence Awards, the American Fiction Awards, and the Best Book Awards
From the author of COLONY OF THE LOST, a 2016 Silver Falchion Award Finalist for best horror
For fans of Thomas Harris, Michael Connelly, and Dennis Lehane
[A] twisty, gory crime thriller… the satisfying final reveal is a testament to the author’s cleverness. –Publishers Weekly
Boston gets gory in this enjoyable, horror-tinged crime tale. –Kirkus Reviews
An edge-of-your seat detective thriller that crackles with gore and wit before delivering a stunning knockout blow. Fans of The Silence of the Lambs should flock to Derik Cavignano’s new series debut. -BestThrillers.com
A highly suspenseful and delightfully twisted thriller with one of the creepiest villains in recent memory! –Jeff Strand, four-time Bram Stoker Award nominee and author of MY PRETTIES
The Art of Dying blends drama and horror for a disturbing and gripping thriller. -Foreword Clarion Reviews
Cavignano artfully misdirects the plot with family dramas and subtle clues, while keeping the cat-and-mouse conflict between Hanley and his quarry on track–all while the terror of the story’s victims ratchets up the tension between chapters. -BlueInk Review
With The Artist, Cavignano has created a portrait of abnormal psychology every bit as memorable, nuanced (and harrowing) as Hannibal Lecter. –Union Square Review
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