The several essays that comprise Border Towns chase, worry, and trouble ideas about situation and reference. As a group, the essays’ topics-color, lycanthropy, African-Canadian history, cooking, public transit, etc.,-make an unlikely field. But through all its pages the book traces and describes acts of situation; and-for all its werewolves, green-grocers, and paeans to miscegenation and migration-its interest is not in capturing but in the shape of reference itself.

The title figure of the border town serves as a beard for the unassimilable. The author, whose other Dalkey books are poetry books, writes, The mistake or the short-sightedness is to perceive border towns as finite or one-to-one compositions, or as places where monoliths stretch and mingle; or stare at one another…..Perhaps at best is border town-the term-the gesture toward something that’s actually untenable or untenably awkward. So Border Towns-the book of essays-is perhaps, finally, a book about poetry. ( It often seems to me, writes the author, that one of the best uses to which prose can be put is describing poetry. )