ABOUT THE BOOK

IN THE MILITARY CEMETERY tells the story of a young woman who goes to the military cemetery at night to lay a bouquet of flowers on her loved one’s grave. Because of the dark, the young woman cannot locate the grave amidst the many soldiers’ graves all around. Undeterred, she lays the flowers on an unknown soldier’s grave, reminding us that all the soldiers buried in the military cemetery sacrificed their lives for us and thus they are all dear to us.

ABOUT THE AUTHOR

Born in Israel (then called Palestine ), Judith Weinshall Liberman came to the United States in 1947 to pursue higher education. She earned four American university degrees including two in law, a J.D. from the University of Chicago Law School and an LL.M. from the University of Michigan Law School. After settling in the Boston area in 1956, she studied art and creative writing. Beginning in the early 1960s, and for four decades thereafter, Ms. Liberman created numerous series of artworks. Her art has been widely exhibited, and is represented in the collection of museums and other public institutions. During her long career in visual art, Ms. Liberman wrote several books, among them some picture books. Her book THE BIRD’S LAST SONG (Addison-Wesley, 1976), which she also illustrated, won a citation as one of the fabulous books of the year. Since 2012, she has published several additional picture books, including ICE CREAM SNOW, THE LITTLE FAIRY, COLOR IN OUR WORLD, THE VERY OLD PAINTER AND HER HUSBAND, HAIFA, ANGEL’S PUPPIES, THE GIANT HOUSE, THE BEE AND THE BUTTERFLY, THE MOUNTAIN, THE TUNNEL, THE OLD DOLL, THE LITTLE SONGBIRD, FIFTEEN FABLES, TWELVE MORE FABLES, THE BIRD WHO WENT TO HEAVEN, A PARAKEET FOR ERIC, TALES OF HUMAN FOIBLES, and THE GIRL AND THE PIGEONS. Judith Weinshall Liberman’s archives can be found in the Arts Department of the Boston Public Library and at the Smithsonian Archives of American Art.

ABOUT THE ILLUSTRATOR

IN THE MILITARY CEMETERY is the twelfth book on which Judith Weinshall Liberman, the author, has collaborated with Gail Davis, the illustrator. Since she did not feel that, in light of her deteriorated eyesight, she could do justice to illustrating IN THE MILITARY CEMETERY herself, Ms. Liberman selected a fine artist, Ms. Gail Davis, to create the illustrations under the author’s guidance. The two had previously collaborated on THE LITTLE FAIRY, on THE VERY OLD PAINTER AND HER HUSBAND, on ANGEL’S PUPPIES, on THE GIANT HOUSE, on THE MOUNTAIN, on THE TUNNEL, on THE OLD DOLL, on FIFTEEN FABLES, on TWELVE MORE FABLES, on A PARAKEET FOR ERIC, and on TALES OF HUMAN FOIBLES. In the present book, Ms. Davis beautifully captures the spirit of the story and creates a touching and universal visual image for the tragedy of war.