Ligeti, Kurtag, and Hungarian Music during the Cold War

Rachel Beckles Willson (Royal Holloway, University of London)

Ligeti, Kurtag, and Hungarian Music during the Cold War
Format
Paperback
Publisher
Cambridge University Press
Country
United Kingdom
Published
26 January 2012
Pages
302
ISBN
9781107403307

Ligeti, Kurtag, and Hungarian Music during the Cold War

Rachel Beckles Willson (Royal Holloway, University of London)

Drawing on key elements from musical thought in inter-war Hungary, this 2007 book provides a unique perspective on the nation’s musical heritage both inside and outside Hungary’s borders during the Cold War. Although Ligeti became part of the Western avant-garde after he left Hungary in 1956, archival sources illuminate his ongoing contact with Hungarian musicians, and their shifting perspective on his work. Kurtag’s music was more obviously involved with Hungarian traditions, was entangled with the Soviet occupation, and was a contributing part of the city’s diverse musical culture. However, from the mid-1960s onwards, critics identified his music as an artistic and moral ‘truth’ distinct from the broader musical life of Budapest: it was an idealized symbol of life beyond the everyday in Hungary. Grounding her interpretations of works in these complex political circumstances, Beckles Willson is nonetheless sympathetic to arguments by Ligeti, Kurtag and Budapest music critics that their music might have a life beyond nationalist and Cold War ideology.

This item is not currently in-stock. It can be ordered online and is expected to ship in approx 2 weeks

Our stock data is updated periodically, and availability may change throughout the day for in-demand items. Please call the relevant shop for the most current stock information. Prices are subject to change without notice.

Sign in or become a Readings Member to add this title to a wishlist.