During the turbulent sixties, the call for Quebec independence created a political and social maelstrom in Canada. For nearly ten years, riots, bombings, labor strikes and violent street scenes-many even worse than what we’re seeing today-were part of everyday life in Montreal, the epicenter of battle. PATRIMONY represents the essence of that still-smoldering conflict. Told from the viewpoints of two brothers and a sister, PATRIMONY is about what happens in a country when political ideology resorts to terrorism. It’s about what happens in a family when one brother believes in responsible political action to achieve his goals, and the other brother, a time-bomb ticking toward an explosion, will do anything to get what he wants, including using his own sister for blackmail. From PATRIMONY’S opening chapter, a trip to North Carolina where brother and sister buy explosives from gunrunners, to a factory bombing and a symbolic attempt to blow up a bridge, the plot moves quickly. It weaves through cultural differences, family and political conflicts, and ends in an unprecedented political crisis-Quebec under martial law.