Jamaica is a place where the surreal is simply everyday reality. When a ruthless American aluminum company plans to strip mine the Jamaican rainforest, they send former Navy SEAL Will Taylor to Montego Bay to deal with local resistance on their behalf. But he’s unaware that the British had signed a treaty deeding the rainforest to the Jamaican Maroons, descendants of escaped slaves, over 300 years ago. The Maroons fought and died for their land then, and are more than willing to do so now, whether it’s the British or the Americans who threaten them this time around. Upon Will’s arrival, a series of inexplicable murders begin, some carried out with deadly snake daggers that were owned and used by Annie Palmer, a voodoo priestess better known as the White Witch. She was killed 200 years prior, but is said to still haunt the island at night, and the local Jamaicans are certain she’s responsible for the gruesome murders, her form of retaliation against the new turmoil taking place in the rainforest. And Will has been forced directly into the middle of it. After a few close calls, he’s finally convinced to leave his company and join forces with the Maroons, headed by Vertise Broderick, a Maroon who resigned from her position at the New York Times to return to Jamaica to stop the mining. Together they hire a Jamaican attorney to prove that the Maroon/British treaty is still valid to stop the mining, and they take it upon themselves to solve the White Witch murders, because the legend of the White Witch can’t possibly be true…