In an empty circle, and without props, Francis Warner recreated for the 1978 Observer Oxford Festival of Theatre the world of late adolescence, of boys and girls caught in the process of becoming men and women. ‘Superbly and masterfully played’ (Oxford Mail), this beautifully balanced, minutely complex play examines the familiar Warnerian preoccupations, this time in a comedy of love, rich in poetry and generous in spirit.