Memoirs from the Beijing Film Academy: The Genesis of China's Fifth Generation

Zhen Ni

Format
Hardback
Publisher
Duke University Press
Country
United States
Published
9 January 2003
Pages
256
ISBN
9780822329565

Memoirs from the Beijing Film Academy: The Genesis of China’s Fifth Generation

Zhen Ni

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou revolutionized Chinese cinema with Red Sorghum, Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China’s famous Fifth Generation of filmmakers. It is the first insider’s account of this renowned cohort to appear in English. Covering these directors’ formative experiences during China’s tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen–who was both their screenwriter and teacher–provides unique insights into the origins of the Fifth Generation’s creativity. Memoirs from the Beijing Film Academy illuminates the Fifth Generation in light of the social and political history of contemporary China. While it addresses the collective identity of the filmmakers, most of whom were born in the late forties or early fifties, it also examines how they view themselves and relate to one another. Ni Zhen has supplemented his personal knowledge of these directors with new interviews conducted for this volume.Intervening in current debates, he argues against mistaken postcolonial criticisms which allege that these filmmakers marketed an exotic image of China to Western audiences. He also demonstrates the diversity of the Fifth Generation, commenting on the breadth of styles and themes explored by its members, and introducing a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films–One and Eight and Yellow Earth. Memoirs from the Beijing Film Academy will be essential reading for international film enthusiasts as well as scholars of contemporary Chinese culture.

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