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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Islands, both literal and figurative, recur in fiction authored by many prominent Canadian women writers. Using a critical lens based on Northrop Frye and Julia Kristeva, this book closely examines fourteen novels by eight twentieth-century authors, emphasizing works by L. M. Montgomery, Margaret Laurence, and Margaret Atwood. Several of the novels, such as Montgomery’s Anne of Green Gables, Laurence’s A Jest of God and The Diviners, Atwood’s Surfacing and Bodily Harm, Alice Munro’s The Lives of Girls and Women, and Gabrielle Roy’s The Tin Flute, are among Canada’s most well-known. Some of the works discussed present the island as a redemptive retreat, but in most cases the island’s role is ambiguous, ranging from a temporary respite from life’s pressures to a nightmarish trap.
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This title is printed to order. This book may have been self-published. If so, we cannot guarantee the quality of the content. In the main most books will have gone through the editing process however some may not. We therefore suggest that you be aware of this before ordering this book. If in doubt check either the author or publisher’s details as we are unable to accept any returns unless they are faulty. Please contact us if you have any questions.
Islands, both literal and figurative, recur in fiction authored by many prominent Canadian women writers. Using a critical lens based on Northrop Frye and Julia Kristeva, this book closely examines fourteen novels by eight twentieth-century authors, emphasizing works by L. M. Montgomery, Margaret Laurence, and Margaret Atwood. Several of the novels, such as Montgomery’s Anne of Green Gables, Laurence’s A Jest of God and The Diviners, Atwood’s Surfacing and Bodily Harm, Alice Munro’s The Lives of Girls and Women, and Gabrielle Roy’s The Tin Flute, are among Canada’s most well-known. Some of the works discussed present the island as a redemptive retreat, but in most cases the island’s role is ambiguous, ranging from a temporary respite from life’s pressures to a nightmarish trap.