Waniek is a poet of intelligence, passion, and gentleness with a fine sense of the comic and unfailing judgment about what constitutes a poetic line. She creates a rich mixture of impressions about the speaker of these poems as a woman who is at the same time in her mid-twenties and her mid-fifties, who is black and white and red, who is both trapped by and freed by motherhood. - Miller Williams

Marilyn Nelson Waniek writes with great wisdom and compassion. Grounded but never earthbound, her poems speak honestly and eloquently about giving birth, nurturing life, and facing death; they inhabit the present, fully aware of their responsibilities to the past and the future. Waniek leaves us with the affecting strength and assurance of lasting things, as in the poem
Mama’s Promise.

But the dangerous highway

curves through blue evenings

when I hold his yielding hand

and snip his minuscule nails

with my vicious-looking scissors.

I carry him around

like an egg in a spoon,

and I remember a porcelain fawn,

a best friend’s trust,

my broken faith in myself.

It’s not my grace that keeps me erect

as the sidewalk clatters downhill

under my rollerskate wheels.

Then I think of Mama,

her bountiful breasts.

When I was a child, I really swear,

Mama’s kisses could heal.

I remember her promise,

and whisper it over my sweet son’s sleep:

When you float to the bottom, child,

like a mote down a sunbeam,

you’ll see me from a trillion miles away:

my eyes looking upon you,

my arms outstretched for you like night.

From
Mama’s Promise
published in Mama’s Promises by Marilyn Nelson.

Copyright © 1985 by Marilyn Nelson Waniek. All rights reserved.