This text explores the wide range of Dante’s reading and the extent to which he transformed what he read, whether in the biblical canon, in the ancient Latin poets, in such Christian authorities as Augustine or Benedict, or in the book of the world the globe traversed by pilgrims and navigators. The author argues that the exceptional independence and strength of Dante’s forceful stance vis-a-vis other authors, amply on display in both the Commedia and so-called minor works, is informed by a deep knowledge of the Christian Scriptures. The Bible in question is not only the canonical text and its authoritative commentaries but also the Bible as experienced in sermon and liturgy, hymn and song, fresco and illumination, or even in the aphorisms of everyday speech.