Set against a backdrop of debates about the so-called end of history , the death of the subject and the end of art , as well as the various forms of the post that became prevalent in the late 20th century, this book introduces the idea of the posthumous as a means of thinking about our relationship to the past, to death and to history. The trope of the posthumous is played out in four case-chapters devoted to Shakespeare’s Cymbeline (where the hero is posthumous), Dicken’s David Copperfield (a posthumous child ), Nietzsche’s Ecce Homo (the record of a posthumous life), and Benjamin’s Theses on the Philosophy of History (where history comes into being posthumously). Using these texts as a launching point, Professor Tambling provides readings concerned with the question of why we should give attention to history, and to past texts, if there has been an irretrievable break with history, and where history has turned into the heritage industry. Professor Tambling also discusses why many writers - Dante, Shakespeare, Jonson, Keats, Dickens, Nietzsche - have been fascinated by the idea of posthumous existence and why post-Nietzschean critics such as Foucauly, Derrida and de Man have thought in terms of the death of the subject, to discover whether the past is dead in relation to the present, or the present in relation to the past. Becoming Posthumous also provides introductory readings of the critical theory of Walter Benjamin, Maurice Blanchot, Gilles Deleuze, Pierre Klossowski and Jacques Derrida. In showing how the idea of posthumous existence runs right through literary and cultural theory as well as major literary works, the book should be relevant to those who are interested in literature, history, and cultural studies, in theories of modernity, or the idea of living on , being a ghost, or just thinking about death and its relationship to life.