Volume 103 of Harvard Studies in Classical Philology includes the following contributions: Perceiving Iliadic Gods by Daniel Turkeltaub; The Gods Visit to the Ethiopians in Iliad 1
by Ruth Scodel; The Poetics of the Bath in the Iliad by Jonas Grethlein; The Theologian Pherecydes of Syros & the Early Days of Natural Philosophy by Herbert Granger; The Derveni Theogony: Many Questions and Some Answers by Alberto Bernabe; Winds and Ancestors: The Physika of Orpheus by Renaud Gagne; Sinister Omens, Troubling Oracles, Bad Dreams, and Self-Fulfilling Prophecies: Patterns of Divination in Greek Tragedy by Albert Henrichs; The Toys of Dionysos by Olga Levaniouk; Philia in Plato’s Lysis by David Wolfsdorf; How to Make a Monostichos: Strategies of Variation in the Sententiae Menandri by Vayos Liapis; The Use of Adjective Interlacing (Double Hyperbaton) in Latin Poetry by Stanley Hoffer; The Imperial Pontifex by Alan Cameron; Further to Ps.-Quintilian’s Longer Declamations by D. R. Shackleton Bailey; Neither Fish nor Fowl? Metrical Selection in Martial’s Xenia by Llewelyn Morgan; A Rhetorical Riddle: The Subject of Dio Chrysostom’s First Tarsian Oration by Christina Kokkinia; Frontinus and Domitian: Laudes principis in the Strategemata by Andrew Turner; The Younger Pliny’s Debt to Moral Philosophy by Miriam Griffin; Further Notes on Fulgentius by Gregory Hays; Re-evaluating E. R. Dodds’ Platonism by Wayne Hankey; A Copper Alloy Cypriot Tripod at the Harvard University Art Museums by Sean Hemingway and Henry Lie; and Odysseus and the Ram in Art and (Con)text: Arthur M. Sackler Museum 1994.8 and the Heros Escape from Polyphemos by Maura Giles.