New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 76 include: Street Scene: Berlin’s Strasse des 17 Juni and the Performance of (Dis)unity; Whose Method? Culture, Commerce, and American Performer Training; Hanswurst, Harlequin, and Opera Comique: Performances in the Theatre at Krumlov; Against Inclusivity: a Happy Heresy about Theory and Practice; The Lord Chamberlain and the Containment of Americanization in the British Theatre of the 1920s; The Sri Lankan Ritual of Devol Madu: Problematizing Dharma in Ethnic Conflict; Shakespeare in the Age of Mechanical Reproduction: Theatrical Practice and Mass Culture.