This book examines the relationship between Romantic-period writing and the activity that Samuel Taylor Coleridge christened ‘mountaineering’ in 1802. It argues that mountaineering developed as a pursuit in Britain during the Romantic era, earlier than is generally recognised, and shows how writers including William and Dorothy Wordsworth, Ann Radcliffe, Samuel Taylor Coleridge, John Keats, and Walter Scott were central to the activity’s evolution. Illustrated with 25 images from the period, the book examines how mountaineering in Britain had its origins in scientific research, antiquarian travel, and the search for the picturesque and the sublime. It investigates how writers engaged with mountaineering’s power dynamics and investigates issues including the politics of the summit view (what Wordsworth terms ‘visual sovereignty’), the relationships between different types of ‘mountaineers’, and the role of women in the developing cultures of ascent.