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For fans of Station Eleven, Birnam Wood and Migrations, an astonishingly beautiful literary dystopia about care and compassion in times of devastation.
In a future San Francisco transformed by years of rain, Bo, a 40-year-old lapsed artist, is grieving the community she’s lost to catastrophic flooding. Her friends and family have disappeared or fled, the streets are rivers, and the buildings are falling apart.
Yet on the day of her planned departure, Bo finds a note slipped under her door: I need help, it reads. Three days a week, afternoons. Can pay in cash.
Unable to bring herself to board the ship that could save her life, Bo instead chooses to answer the note, which turns out to have been written by her neighbour Mia, a 130-year-old “supercentenarian” long abandoned by her own family.
What follows is the story of an extraordinary relationship between the two women – bound by circumstance and finding human connection in the most difficult of situations.
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For fans of Station Eleven, Birnam Wood and Migrations, an astonishingly beautiful literary dystopia about care and compassion in times of devastation.
In a future San Francisco transformed by years of rain, Bo, a 40-year-old lapsed artist, is grieving the community she’s lost to catastrophic flooding. Her friends and family have disappeared or fled, the streets are rivers, and the buildings are falling apart.
Yet on the day of her planned departure, Bo finds a note slipped under her door: I need help, it reads. Three days a week, afternoons. Can pay in cash.
Unable to bring herself to board the ship that could save her life, Bo instead chooses to answer the note, which turns out to have been written by her neighbour Mia, a 130-year-old “supercentenarian” long abandoned by her own family.
What follows is the story of an extraordinary relationship between the two women – bound by circumstance and finding human connection in the most difficult of situations.
Susanna Kwan’s Awake in the Floating City is a quietly powerful novel that explores grief, resilience, and human connection in the face of environmental collapse. Set in a hauntingly reimagined San Francisco – now transformed by endless rainfall and rising tides – the book follows Bo, a 40-year-old former artist grappling with loss and dislocation in a city that is literally and emotionally sinking.
Bo’s life has been marked by profound change: friends and family have either perished or fled, the familiar cityscape has eroded into watery ruins, and the isolation of survival weighs heavily. As she prepares to evacuate aboard a ship bound for safer lands, a mysterious note appears under her door: I need help. Three days per week, afternoons. Can pay in cash. It’s a quiet plea that halts Bo’s escape, leading her to her neighbour Mia, a 130-year-old woman who has been left behind by her own family.
What unfolds is a beautifully written and emotionally layered portrait of caregiving and unexpected companionship. Bo and Mia’s bond begins as one of necessity, but deepens into something far richer. Kwan treats their relationship with tenderness and complexity, capturing how two women – generations apart – come to rely on each other not just for survival, but for a sense of purpose and continuity.
Kwan deftly explores the emotional weight of caregiving, the endurance it requires, and the quiet dignity it can offer. The novel weaves in themes of cultural heritage, as Mia’s stories offer glimpses into histories often forgotten in the urgency of crisis.
At its heart, this is a novel about the power of human connection even in the bleakest of circumstances, which makes Awake in the Floating City a tender and timely story that lingers long after the last page.
While the news may sometimes feel like the early chapters of a dystopian novel, that doesn't mean all hope is lost! Here is a collection of what we're calling 'dys-hope-ias' – dystopian stories that provide hope that a better world can be rebuilt, even after everything has seemingly fallen apart.
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