Children love writing their names on things, and eight-year-old budding classical composers are no exception. Mathew Lock was training as a chorister, composer and musical theorist at Exeter Cathedral and was obviously very bored when he scored his name and the date ‘1638’ onto the wall. Hidden at some point by an organ, it wasn’t until 2013 that the 375-year-old graffiti was discovered.

Locke grew up, added a ‘t’ to Matthew, an ‘e’ to the end of his name and became the personal composer of King Charles II. In his day he was well known and respected, writing treatise, operas and collaborating with many other esteemed artists of the day. Today he is mostly known for his instrumental music, and Fretwork – the exceptional English viol consort – have dedicated their latest album to his music. Often played on ABC Classic, I adore Fretwork’s ability to breathe life into music left to wither on the dusty page. This album is no exception, with bright and bubbly interludes contrasted by moments of reflection and beauty. In particular, the Duo for 2 Bass Viols is charming in its depth of sound. If you are a lover of early music, do yourself a favour and treat yourself to this album.

Kate Rockstrom is a friend of Readings.