"Communication" coincides with the memoir of the film's author Old Nick, 40 years of living in and out of England. A desperate fight for survival but also of immense creativity in a world so dominated by politics. A world not run by its expensive government but expensively and incomprehensibly run by its administrators, highly politicised and themselves, the victims of a satanic system that enslaves, oppresses and debilitates a whole nation. It's the world that the inhabitants live in and they are all playing the game set out unconsciously by themselves and so many seem to relish and even extase in such a cruel system. The content includes in part I, the screenplay to 16 films by the author, in part 2 features exclusively some of the over 400 interviews conducted as exhibits to demonstrate what is this system, including for the first time an interview with James Hogan, just before his death on a programme he co created created 40 years ago about Nazi infiltration -or far right- in the Conservative party made for the BBC Panorama programme that ended up in the High Court.
James Hogan has produced in some capacity all of the author's films since 1997. He was one of the leading producers for the BBC until he became a top ten City advisors and government advisor, helping to generate over half a trillion in wealth and taxes combined.
The insanity is brewing high in Britain, with poverty at an all time high. What once seemed to be the most desirable place to be, the country has become the sick man / woman of Europe and no one is planning to seriously change things. Everyone is better than the other and everyone's one ego is about to explode all the way and beyond the Milky Way.
The story is introduced by an AI -Artificial Intelligence- defining the rules to the game and its premise and narrated by X1 and his alter ego X2 -Old Nick himself- leading the way to new and familiar characters used in his films, including many of the people he interviewed.
It features some of the screenplays censored in Britain and its reasons.
