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The book is styled as a story-like narration, fusing two yugas - Treta and Dwapur yugas with an underlying theme of 'Devotion and Divinity'. It is fashioned from an amusing thought in author's mind that strongly urged him to fathom deep into the past and enjoy whatever it could grasp. Certainly, it worked and did find its own reflection in both the yugas. The result is profound! Hidden inside a vanara in Kishkindha, the mind could wander with devotion on Anjaneya. It could witness with bewilderment the unflinching faith of the mighty vanara towards the divine Sri Rama. In the form of a gopika, it could also cherish intimacy with the gopikas in Brindavan and relish their deep dedication and transcendental love towards the Divine Sri Krishna. Thus, behind this seemingly simple imaginative narration, the author subtly infuses sublime truths about the need to develop unegoistic and unselfish devotion on Divine Almighty to lead a purposeful life in this mortal world.
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The book is styled as a story-like narration, fusing two yugas - Treta and Dwapur yugas with an underlying theme of 'Devotion and Divinity'. It is fashioned from an amusing thought in author's mind that strongly urged him to fathom deep into the past and enjoy whatever it could grasp. Certainly, it worked and did find its own reflection in both the yugas. The result is profound! Hidden inside a vanara in Kishkindha, the mind could wander with devotion on Anjaneya. It could witness with bewilderment the unflinching faith of the mighty vanara towards the divine Sri Rama. In the form of a gopika, it could also cherish intimacy with the gopikas in Brindavan and relish their deep dedication and transcendental love towards the Divine Sri Krishna. Thus, behind this seemingly simple imaginative narration, the author subtly infuses sublime truths about the need to develop unegoistic and unselfish devotion on Divine Almighty to lead a purposeful life in this mortal world.